Who What Where WhenREMOVEWHATWHEREWHEN |
REFINE
Browse All : Images from ca. 1510 (creation)
1-5 of 5
Title
[Madonna and Child with Angels, Overall view with frame]
Creators
Giovanni Antonio Sogliani (Italian painter, 1492-1544)
Description
From the Sacchetti collection (date of purchase, 1748). Sogliani trained with Lorenzo di Credi, to whom he remained closely attached. This is an early work; after collaborating on works in the style of Lorenzo, from 1515 he had an independent shop and began to develop his own style. (Source: Grove Art Online; http://www.oxfordartonline.com/)
Materials
oil paint on panel
Title
[Madonna and Child with Angels, Detail, with frame]
Creators
Giovanni Antonio Sogliani (Italian painter, 1492-1544)
Description
From the Sacchetti collection (date of purchase, 1748). Sogliani trained with Lorenzo di Credi, to whom he remained closely attached. This is an early work; after collaborating on works in the style of Lorenzo, from 1515 he had an independent shop and began to develop his own style. (Source: Grove Art Online; http://www.oxfordartonline.com/)
Materials
oil paint on panel
Title
[Madonna and Child with Angels, Overall view with frame]
Creators
Giovanni Antonio Sogliani (Italian painter, 1492-1544)
Description
From the Sacchetti collection (date of purchase, 1748). Sogliani trained with Lorenzo di Credi, to whom he remained closely attached. This is an early work; after collaborating on works in the style of Lorenzo, from 1515 he had an independent shop and began to develop his own style. (Source: Grove Art Online; http://www.oxfordartonline.com/)
Materials
oil paint on panel
Title
[Madonna and Child, Overall view with frame]
Creators
Giovanni Bellini (Italian painter, ca.1431-1516)
Description
Small-scale panels for private devotion, frequently of the Madonna and Child, were a genre that remained characteristic throughout Bellini's career. Signed on the cartellino on the parapet. There is a resemblance to the Virgin and Child in the San Zaccaria Altarpiece of 1505. In the late nineteenth and early twentieth centuries, there were attributions to followers of Bellini (Bissolo, Catena and Pseudo-Basaiti), and some more recent critics have considered it a late studio work. Tempestini (1999) considers it Bellini’s latest surviving half-length Madonna (about 1510). The picture is unrecorded before 1833, when it is listed in a Borghese inventory. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
oil paint on wood panel
Title
[Madonna and Child, Detail of the heads of Mary and the Christ Child]
Creators
Giovanni Bellini (Italian painter, ca.1431-1516)
Description
Small-scale panels for private devotion, frequently of the Madonna and Child, were a genre that remained characteristic throughout Bellini's career. Signed on the cartellino on the parapet. There is a resemblance to the Virgin and Child in the San Zaccaria Altarpiece of 1505. In the late nineteenth and early twentieth centuries, there were attributions to followers of Bellini (Bissolo, Catena and Pseudo-Basaiti), and some more recent critics have considered it a late studio work. Tempestini (1999) considers it Bellini’s latest surviving half-length Madonna (about 1510). The picture is unrecorded before 1833, when it is listed in a Borghese inventory. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
oil paint on wood panel
1-5 of 5
|