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1-7 of 7
Title
[Virgin and Child with Six Angels and the Baptist, Overall view with frame (and black background)]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Virgin and Child with Six Angels and the Baptist, Detail of upper half with Madonna and Child and angels]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Virgin and Child with Six Angels and the Baptist, Detail of upper right side]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Virgin and Child with Six Angels and the Baptist, Detail of upper left side]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Virgin and Child with Six Angels and the Baptist, Detail of lower half with young John the Baptist kneeling]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Virgin and Child with Six Angels and the Baptist, Overall view with frame (and black background)]
Creators
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Description
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitoveronese.co.uk/)
Materials
tempera paint on wood panel
Title
[Christ Led to the Calvary, Overall view (front) without frame]
Creators
circle of Martin Schongauer (German painter, ca. 1430-1491)
Description
Restored in 2011. The artist is also listed as perhaps circle of the Master of the Housebook. There is a scene with Jesus among the Sanhedrin on the reverse side, transferred to canvas and glued to the panel perhaps in the early nineteenth century. (Source: Museo Correr [website]; http://correr.visitmuve.it/en)
Materials
oil paint on wood panel
1-7 of 7
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![[Virgin and Child with Six Angels and the Baptist, Overall view with frame (and black background)]](https://luna.vrchost.com:443/media/iiif/118319/7a1-bsw-bg-vc-a0/full/384,/0/default.jpg)
![[Virgin and Child with Six Angels and the Baptist, Detail of upper half with Madonna and Child and angels]](https://luna.vrchost.com:443/media/iiif/118320/7a1-bsw-bg-vc-a02/full/384,/0/default.jpg)
![[Virgin and Child with Six Angels and the Baptist, Detail of upper right side]](https://luna.vrchost.com:443/media/iiif/118321/7a1-bsw-bg-vc-a03/full/384,/0/default.jpg)
![[Virgin and Child with Six Angels and the Baptist, Detail of upper left side]](https://luna.vrchost.com:443/media/iiif/118322/7a1-bsw-bg-vc-a04/full/384,/0/default.jpg)
![[Virgin and Child with Six Angels and the Baptist, Detail of lower half with young John the Baptist kneeling]](https://luna.vrchost.com:443/media/iiif/118323/7a1-bsw-bg-vc-a05/full/384,/0/default.jpg)
![[Virgin and Child with Six Angels and the Baptist, Overall view with frame (and black background)]](https://luna.vrchost.com:443/media/iiif/118324/7a1-bsw-bg-vc-a06/full/384,/0/default.jpg)
![[Christ Led to the Calvary, Overall view (front) without frame]](https://luna.vrchost.com:443/media/iiif/125605/7a1-pittore-mc-clc-a01/full/269,/0/default.jpg)