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Title
[RCA Building Murals (by Sert and Brangwyn), RCA Building, view of the entire lobby from the mezzanine]
Creators
Frank Brangwyn (British muralist, 1867-1956); José Mariá Sert y Badiá (Spanish muralist, ca. 1874-1945)
Description
Sert was a Catalan Spanish muralist, the son of an affluent textile industry family and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black. His “American Progress” mural (1937) in the main lobby replaced Diego Rivera’s controversial homage to Lenin. Sert's mural depicts the country’s growth and shows statues of creative muses hauled by laboring strongmen. Lincoln, Emerson, and Gandhi lend a hand. "Time" was painted on the ceiling (5,000 sq ft; 1941). "Spirit of the Dance" was painted in the north hall (25 x 17 ft; 1941). Other murals line the stairwells and corridors. Titles include "Man's Triumph In Communication" (1933); "Abolition of War" (1933); "Abolition of Bondage" (1933); "Conquest of Disease" (1933). Four murals by Frank Brangwyn were commissioned for the south hall, 1930-1934. Brangwyn's theme was man's search for the eternal truth through Christ's teachings. The murals, which had darkened under varnish, were restored in 2009-2011 and the lobby repainted to match the original ivory colors. (Source: Rockefeller Center [website]; http://www.rockefellercenter.com/)
Materials
oil paint and tempera paint on canvas (mounted to the wall)
Title
[RCA Building Murals (by Sert and Brangwyn), RCA Building, stairs leading to the mezzanine]
Creators
Frank Brangwyn (British muralist, 1867-1956); José Mariá Sert y Badiá (Spanish muralist, ca. 1874-1945)
Description
Sert was a Catalan Spanish muralist, the son of an affluent textile industry family and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black. His “American Progress” mural (1937) in the main lobby replaced Diego Rivera’s controversial homage to Lenin. Sert's mural depicts the country’s growth and shows statues of creative muses hauled by laboring strongmen. Lincoln, Emerson, and Gandhi lend a hand. "Time" was painted on the ceiling (5,000 sq ft; 1941). "Spirit of the Dance" was painted in the north hall (25 x 17 ft; 1941). Other murals line the stairwells and corridors. Titles include "Man's Triumph In Communication" (1933); "Abolition of War" (1933); "Abolition of Bondage" (1933); "Conquest of Disease" (1933). Four murals by Frank Brangwyn were commissioned for the south hall, 1930-1934. Brangwyn's theme was man's search for the eternal truth through Christ's teachings. The murals, which had darkened under varnish, were restored in 2009-2011 and the lobby repainted to match the original ivory colors. (Source: Rockefeller Center [website]; http://www.rockefellercenter.com/)
Materials
oil paint and tempera paint on canvas (mounted to the wall)
Title
[RCA Building Murals (by Sert and Brangwyn), Concierge desk, from the southeast corner with mural]
Creators
Frank Brangwyn (British muralist, 1867-1956); José Mariá Sert y Badiá (Spanish muralist, ca. 1874-1945)
Description
Sert was a Catalan Spanish muralist, the son of an affluent textile industry family and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black. His “American Progress” mural (1937) in the main lobby replaced Diego Rivera’s controversial homage to Lenin. Sert's mural depicts the country’s growth and shows statues of creative muses hauled by laboring strongmen. Lincoln, Emerson, and Gandhi lend a hand. "Time" was painted on the ceiling (5,000 sq ft; 1941). "Spirit of the Dance" was painted in the north hall (25 x 17 ft; 1941). Other murals line the stairwells and corridors. Titles include "Man's Triumph In Communication" (1933); "Abolition of War" (1933); "Abolition of Bondage" (1933); "Conquest of Disease" (1933). Four murals by Frank Brangwyn were commissioned for the south hall, 1930-1934. Brangwyn's theme was man's search for the eternal truth through Christ's teachings. The murals, which had darkened under varnish, were restored in 2009-2011 and the lobby repainted to match the original ivory colors. (Source: Rockefeller Center [website]; http://www.rockefellercenter.com/)
Materials
oil paint and tempera paint on canvas (mounted to the wall)
Title
[RCA Building Murals (by Sert and Brangwyn), RCA Building, concierge desk, from the mezzanine, with the wall mural by José Maria Sert]
Creators
Frank Brangwyn (British muralist, 1867-1956); José Mariá Sert y Badiá (Spanish muralist, ca. 1874-1945)
Description
Sert was a Catalan Spanish muralist, the son of an affluent textile industry family and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black. His “American Progress” mural (1937) in the main lobby replaced Diego Rivera’s controversial homage to Lenin. Sert's mural depicts the country’s growth and shows statues of creative muses hauled by laboring strongmen. Lincoln, Emerson, and Gandhi lend a hand. "Time" was painted on the ceiling (5,000 sq ft; 1941). "Spirit of the Dance" was painted in the north hall (25 x 17 ft; 1941). Other murals line the stairwells and corridors. Titles include "Man's Triumph In Communication" (1933); "Abolition of War" (1933); "Abolition of Bondage" (1933); "Conquest of Disease" (1933). Four murals by Frank Brangwyn were commissioned for the south hall, 1930-1934. Brangwyn's theme was man's search for the eternal truth through Christ's teachings. The murals, which had darkened under varnish, were restored in 2009-2011 and the lobby repainted to match the original ivory colors. (Source: Rockefeller Center [website]; http://www.rockefellercenter.com/)
Materials
oil paint and tempera paint on canvas (mounted to the wall)
Title
[RCA Building Murals (by Sert and Brangwyn), RCA Building, view of the mural at the south stair landing]
Creators
Frank Brangwyn (British muralist, 1867-1956); José Mariá Sert y Badiá (Spanish muralist, ca. 1874-1945)
Description
Sert was a Catalan Spanish muralist, the son of an affluent textile industry family and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black. His “American Progress” mural (1937) in the main lobby replaced Diego Rivera’s controversial homage to Lenin. Sert's mural depicts the country’s growth and shows statues of creative muses hauled by laboring strongmen. Lincoln, Emerson, and Gandhi lend a hand. "Time" was painted on the ceiling (5,000 sq ft; 1941). "Spirit of the Dance" was painted in the north hall (25 x 17 ft; 1941). Other murals line the stairwells and corridors. Titles include "Man's Triumph In Communication" (1933); "Abolition of War" (1933); "Abolition of Bondage" (1933); "Conquest of Disease" (1933). Four murals by Frank Brangwyn were commissioned for the south hall, 1930-1934. Brangwyn's theme was man's search for the eternal truth through Christ's teachings. The murals, which had darkened under varnish, were restored in 2009-2011 and the lobby repainted to match the original ivory colors. (Source: Rockefeller Center [website]; http://www.rockefellercenter.com/)
Materials
oil paint and tempera paint on canvas (mounted to the wall)
Title
[France: Creative Photography, View of the Equestrian Statue of Anne de Montmorency, as seen from the garden, Chateau de Chantilly]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of the Equestrian Statue of Anne de Montmorency, as seen from the entry road, Chateau de Chantilly]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Gate to the forecourt, Chateau de Chantilly]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel over cut fields of hay]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel over cut fields of hay]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel over cut fields of hay]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel over cut fields of hay]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel from the causeway]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel at dusk, from the causeway]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel at sunset, from the causeway]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View of Mont-St-Michel at dusk, from the causeway]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, View looking up at Mont-St-Michel from outside the defense walls]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Jacques Cartier's house, near St-Malo, as seen from the road]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Jacques Cartier's house, near St-Malo, as seen from the road]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Claude Monet's lilly pond, looking north]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Claude Monet's garden, looking northeast]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Claude Monet's garden, looking northeast towards the house]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, Chateau de St-Germain-en-Laye, as seen from the formal garden]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, A Medieval street in Dinan]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[France: Creative Photography, A Medieval square in Dinan]
Creators
Scott Gilchrist (Canadian , born 1960)
Title
[Aigues-Mortes: Topographic Views, General view of the south defense wall]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, Close view of the towers on the south defense wall]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, View of the entry on the south defense wall]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, Close view of the south defense wall, depicting crenellations]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, View of the interior of the entry in the north defense wall]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, View of the interior of the entry in the north defense wall]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, Interior view of the north defense wall, depicting upper crenellations]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, Interior view of the north defense wall, depicting upper crenellations]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, General view of Notre-Dame-des-Sablons]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, Detail of Notre-Dame-des-Sablons]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, General view of the fountain near Notre-Dame-des-Sablons]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, General view of the square near Notre-Dame-des-Sablons]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Aigues-Mortes: Topographic Views, General view of the square near Notre-Dame-des-Sablons]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Aigues-Mortes is a town in Gard, southern France, in the north-western section of the Rhône Delta or Camargue. It is one of the largest surviving medieval fortified towns. Louis IX (reigned 1226-1270) conceived of the walled city. He wanted a port to establish a royal presence in, and access to, the Mediterranean, and he needed a fortified town to protect crusaders, pilgrims and merchants, providing a safe haven from which to launch crusades, as well as a commercial centre for trade between the Levant and northern France. Soon after 1240 Louis IX began the construction of the Tour de Constance, the isolated tower on the north-western corner of the site; it was finished in 1249, the year after he launched the Seventh Crusade. Construction of the walled town did not, however, begin until 1272 during the reign of Louis's son Philip III (reigned 1270-1285), and work continued into the early years of the 14th century. Notre-Dame-des-Sablons, erected in the mid-13th century, is a handsome if simple unvaulted structure of nave and two aisles with a flat east end. It was restored between 1964 and 1967. (Source: Grove Art Online; http://www.groveart.com/)
Title
[Lunenburg: Topographic Views, Lunenburg, general view looking north from across the bay]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Lunenburg, general view looking north from across the bay]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Lunenburg, general view looking north from across the bay]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Lunenburg, general view looking north from across the bay]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Lunenburg, general view looking north from across the bay]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Port, view of the docks and dock buildings]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Port, view overlooking boats]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, Port, east side, view of old wooden buildings]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, St. John's Anglican Church, the west front]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, St. John's Anglican Church, detail of the west front]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, St. John's Anglican Church, detail of the west front]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
Title
[Lunenburg: Topographic Views, St. John's Anglican Church, detail of the square tower]
Creators
Scott Gilchrist (Canadian photographer, born 1960)
Description
Lunenburg (2006 population: 2,317) is a Canadian port town in Lunenburg County, Nova Scotia. Situated on the province's South Shore, Lunenburg is located on a peninsula at the western side of Mahone Bay. Old Town Lunenburg was designated a UNESCO World Heritage Site in 1995. Lunenburg was founded in 1753 and was named in honour of the King of Great Britain and Ireland, (George II), who was also the ruler of Brunswick-Lunenburg. The architecture in the old town is a mix of British Colonial, Victorian and Carpenter Gothic. (Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page)
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